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In the heart of Boston, Chinatown has faced for years the pressure of gentrification and the loss of public spaces due to highways and urban renewal projects. From 2019 to 2022, the Residence Lab program, born from the collaboration between the Pao Arts Center and the Asian Community Development Corporation, invited multimedia artists to work side‑by‑side with residents. The goal was to transform forgotten places – blank walls, vacant lots, neglected corners – into collective artworks that tell the neighborhood’s history, struggles, and dreams.

Through murals, sound installations, and spontaneous performances, residents reclaimed spaces at risk of disappearing. Artists taught digital painting and visual storytelling techniques, while elders shared memories of culinary traditions and lunar celebrations. These exchanges fostered a sense of belonging and strengthened the neighborhood’s mutual‑aid network.

The outcomes were tangible: higher participation in local events, greater visibility of eviction issues, and renewed cultural pride. Residence Lab shows how art, when it springs from the grassroots and directly involves those who live the territory, can become a tool of urban resistance and a builder of a more equitable future.

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The Residence Lab case fits within the broader literature on cultural placemaking, which regards art and culture not merely as aesthetic elements but as levers for social and economic regeneration. According to Lefebvre’s "right to the city" theory, inhabitants have the right to participate in the production of urban space; Residence Lab enacts this principle through co‑creative processes that redistribute symbolic and material power. The artistic interventions functioned as forms of "tactical urbanism", acting on underused spaces to generate visibility and attract resources without large‑scale infrastructure investment. From a social‑capital perspective, the project increased interpersonal trust and reciprocity, key factors for resilience against gentrification‑driven displacement. Impact assessments showed a 23% rise in neighborhood meeting participation and a perceived reduction in housing‑related insecurity stress. Moreover, the use of digital media facilitated participatory archiving of collective memory, creating an intangible heritage accessible to future generations. These findings suggest that community‑based art, when coupled with housing‑policy and land‑use strategies, can contribute to more just and sustainable models of urban development.

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Authors:
Lily Song
Date Published:
Original Article www.mdpi.com
Fact-check verified on 22/09/2026
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Creative Commons License CC BY-NC-SA 4.0

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