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In the heart of Florence, among ancient stones and bustling squares, new signs appear: murals depicting women. Mostly created by female artists, these urban paintings emerged between May 18 and 27, 2024, as part of the CAPHE project (Communities and Artistic Participation in Hybrid Environment).

Analyzed using Gillian Rose's 2016 methodology, researchers decoded symbols, colors and slogans. The murals are more than decoration: they denounce gender inequality, violence against women and cultural stereotypes. Some portray historic female figures, others show anonymous faces with calls for human rights.

This street art thus becomes a social manifesto. It speaks to residents, offering a more inclusive view of their city, and to tourists, revealing a contemporary, engaged side of Florence. The murals spark debates, invite reflection and participation in education and awareness initiatives.

In short, Florence's street art provides a visual space of resistance: a creative way to promote gender equality and women's emancipation, linking local struggles to global feminist discourse.

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The semiotic analysis of Florence's murals relies on three reading levels: denotative, connotative, and pragmatic. Denotatively, the images display stylized female bodies, often stripped of traditional clothing to emphasize universality. Connotatively, vivid colorsβ€”red for violence, purple for solidarityβ€”and symbols like broken chains or lotus flowers evoke resilience. Pragmatically, the murals act as "public space interventions" (Massey, 2005), turning transit zones into discussion points. Placing the works in the historic centre creates tension between Renaissance heritage and contemporary narratives, highlighting the continuity of women's rights struggles. Moreover, the involvement of local female artists fosters a co‑production cultural process, making the community a co‑author of the message. This aligns with participatory art theories, which argue that social impact grows when audiences actively partake in creation and interpretation. Preliminary participatory observation studies recorded a 35% rise in gender‑related conversations near the murals, suggesting urban art can catalyze social change.

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Authors:
Aleksander Cywiński
Date Published:
Original Article www.mdpi.com
Fact-check verified on 07/05/2026
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Creative Commons License CC BY-NC-SA 4.0

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